|
Featured review:
Full bibliography >
|
|
|
"In Good Shape"
by Mario Naves
New York Observer, May 24, 2006
read the review > |
|
|
|
"Salvatore Federico: Recent Paintings"
by Maureen Mullarkey
The New York Sun, May 18, 2006
read the review > |
|
|
|
"Angular Gestures"
by Mario Naves
New York Observer, June 14, 2004
read the review > |
|
|
|
"Salvatore Federico at Amos Eno"
by Lance Esplund
Art in America, October 2003
read the review > |
|
|
|
"Talent at the End of the Line: Perfecting Abstract Equipoise"
by Mario Naves
New York Observer, February 24, 2003
read the review > |
|
|
|
"Unity and Variety" by Jed Perl
The New Republic, January 27, 2003
read an excerpt >
|
|
|
|
"Learning Curves" by Lance Esplund
Modern Painters, Vol. 15, Number 1, Spring, 2002
read the review > |
|
|
|
"Theory for Gallerygoers" by Jed Perl
The New Republic, March 20, 2000
read an excerpt > |
|
|
|
"Art by Sal Federico: Sharp, Vibrant" by Elise Freda
Middletown Times Herald-Record, February 3, 2000
read the review > |
|
|
|
"Show's Juror Used Hard Criteria" by Robert Merritt
Richmond-Times Dispatch, March 30, 1986
read the review > |
|
|
|
"A Grandness of Intent" by F.D. Cossitt
Virginian-Pilot, October 26, 1969
read the review > |
|
|
|
|
|
|
|
|
|
|
|
